Age cannot wither

This is my review of The Best Exotic Marigold Hotel (DVD + Digital Copy).

I would be interested to know whether you need to be over (or close to) retirement age to relate to this film, or even to opt to see it in the first place.

The plot revolves round seven rather different characters who have in common the facts that they are (with one exception) middle class, retired, mostly lonely and/or hard up. An inexpensive hotel located in the exotic Indian city of Jaipur and designed for long-term stay by the elderly attracts them as a possible solution to their problems.

The hotel, run by a charming dreamer (played by Dev Patel of Slumdog Millionaire fame) is predictably shambolic, a partially ruined former palace of stunning beauty, with picturesque neglected gardens from which it is moving to watch a pure white stork as it flaps improbably, as if on the point of sinking, up into the blue.

Some members of the group adapt readily to the colourful bustle and intriguing history of India – others cannot wait to return to England. Graham, the high court judge who lived in India in his youth, harbours a secret which is gradually revealed.

Although I feared from trailers that the film would merely be a chance for seven famous actors – including Judi Dench, Maggie Smith, Bill Nighy and Tom Wilkinson, to ham it up in a visually striking location in north India, thereby boosting its tourist trade, I was relieved to find that they were given quite subtly developed roles which give scope for their skills.

There are some implausible aspects to the plot e.g. how could Bill Nighy and his self-absorbed wife be reduced to poverty by the loss of his civil service pension from unwise investment when it is likely to be paid regularly on a final salary basis? Yet overall, the story has a bittersweet quality which leaves you guessing to the very end as to whether it will end happily in general. In addition to continually amusing scenes, we see not only the vibrancy of India (perhaps the poverty is underplayed) but also hints of the new development in the slick call centre employing Indian graduates, and the concrete and glass blocks emerging on the sites of former slums and dusty makeshift cricket pitches.

This is a lightweight film, but well-made without being too cloying and sentimental.

⭐⭐⭐⭐ 4 Stars

The Best Exotic Marigold Hotel (DVD + Digital Copy)

A Convert to Coriolanus

This is my review of Coriolanus [DVD] [2011].

Although based on a dark, grim and bloodthirsty Shakespearean tragedy, I was very impressed by this film which I went to see with some trepidation.

Well-paced and not excessively violent (compared to what it could have been) the acting is excellent, the words spoken with such expression and clarity that the sense comes through very strongly, even to someone like me unfamiliar with the text. It does not bother me that some passages and plot details may have been omitted in the interests of making the plot easier to digest. Likewise, a dialogue which sounds at time surprisingly modern compensates for the lack of any memorable "To be or not to be"-style soliloquies which may not come across well in a film.

The modern setting is not irritating and gratuitous as is too often the case, but also enabled me to see the film's relevance to our divided and violent world. Rome is represented as a typical concrete western city, ruled by the cynical "haves" ("patricians") while the mass of "have-nots" are beginning to riot over lack of bread, although they are easily swayed by cunning politicians.

Rome is under threat from a Balkan-type community called the Volscians, against whom the professional soldier Caius Martius (Ralph Fiennes) gains a celebrated victory over the city of Corioles, thus being rewarded with the surname "Coriolanus". This leads naturally to his appointment as a consul, but "honest to a fault", he refuses to conceal his contempt for the people. His political enemies play on this to get him banished, which of course turns him from a loyal supporter of Rome to a man bent on revenge.

On a personal level, this is an interesting psychological study of pride, fanaticism and jealousy. The complex relationship between Coriolanus and his mother Volumnia, played brilliantly by Vanessa Redgrave, shows how a strong man may be controlled as a tool of his physically weaker but mentally stronger mother's ambition.

If I had studied this play at school, I think I might have hated it – although a good teacher enabled me to appreciate the drama of Julius Caesar. Hopefully, this intelligent modern rendition may enable many students – and general viewers as well – to understand and value this very interesting play.

⭐⭐⭐⭐⭐ 5 Stars

Coriolanus [DVD] [2011]

Pure Marble

This is my review of Life And Fate (Orange Inheritance) by Vasily Grossman.

This is one of the few "mind shifting" books I have read in that it may alter your perception of the meaning and value of life, and the nature of freedom – the right to live with one's own individual quirks. Inspired by Tolstoy's "War and Peace" and informed by Grossman's firsthand experiences on the Soviet front attempting to drive the Nazis back from Stalingrad, this modern masterpiece by the Jewish Ukrainian journalist deserves to be more widely known.

Initially banned despite the political "thaw" under Khrushchev, I believe because Grossman's parallels between the totalitarian nature of Nazism and Stalinism were too hard to take, we must be thankful that copies were smuggled out to be published in the west.

My praise stands despite my difficulty in "getting into" the work. This is partly due to the cast of more than 150 characters with either difficult to grasp or overly similar names (Krymov v. Krylov, etc.), which require frequent reference to the glossary at the back. Then, there is the continual shift from a German labour camp, to Stalingrad, to a family evacuated from Moscow to Kazan and so on, to encounter yet another group of people, but never being quite sure whether this is a "one-off experience" or whether they are minor or major players who will reappear a couple of hundred pages later. All that connects the various scenes is that the characters are in some way related or acquainted.

There is no single strong plot, just many descriptions in the "social realist" style. This is sometimes wooden, and the structure ramshackle, but all this is offset by some brilliant writing.

I suspect that each reader will be hooked eventually by a different event. In my case it was the account of the Russian officer casually risking German sniper fire to visit his men holed up in various bunkers. For others, it may be the Russian mother's grief to learn that her soldier son has died from his wounds, and her inability, despite remaining sane in every other respect, to accept that he is really dead.

The gifted but prickly physicist Viktor Shtrum, modelled on Grossman himself, comes nearest to being the central character. His agonised thoughts are subtly captured as he oscillates between criticism of the Stalinist regime, fear over being condemned for this, an irresistible desire for praise and recognition of his work, a sense of release when he dares to stand up to the political stooges or minders who run the show at his institute in exchange for material benefits, despite their own mediocrity as scientists, or his need to justify to himself his occasional human weakness under the pressure to conform.

There are powerful scenes of battle, although mostly it is a question of waiting to advance or surveying the aftermath. Grossman does not shrink from the most shocking and moving scenes, such as a woman and boy entering a death camp even to the point of perishing in the gas chamber. Yet this is written with such sensitivity that it reads like a memorial to those who suffered.

Despite all the grimness, there is a good deal of wry humour, with some witty dialogues and moments or high tension. Landscapes are often vividly described, such as the wild tulips on the steppes of the Kalmyck, near the Caspian Sea, which I found on "Google" with some other scenes which exactly illustrate Grossman's descriptions.

I plan to keep a copy of this book to read again later and cannot recommend "Life and Fate" too highly.

⭐⭐⭐⭐⭐ 5 Stars

Life And Fate (Orange Inheritance)

Latin Morse

This is my review of Inspector Montalbano: Collection One (2 Disc) [DVD].

In our insatiable thirst for detective thrillers, foreign language productions have the benefit of introducing us to a different way of life in a setting which might well suggest the location of our next holiday.

In this case, the drama is set in the fictional Vigata, a quaint old stone-built town spreading over a hilly Sicilian coastline bathed in perpetual sunshine. Detective Montalbano occupies an elegant flat overlooking the Mediterranean where he can relax swimming at the end of each stressful episode.

We are introduced to a slow-paced (apart from the crimes, that is) way of life revolving round food – a man will put the enjoyment of a good meal before rushing to greet his lover – and the extended family, where relatives and workers gather on a sunny terrace to consume plentiful meals together.

Smartly turned out and astute, Montalbano somehow commands the respect of his staff despite the kind of volcanic outbursts which would have him sent on an anger management course in Britain. Like most detectives, he is on shaky terms with more senior officials, perhaps in part owing to his tendency to break the rules, but survives in his post, probably because he always seems to solve the crime in hand, usually through his ability to make deductions from very slim evidence.

The denouement is often unpredictable, partly because the very complicated plot tends to have a few twists which are hard to follow – and to be honest at times implausible. It's quite fast-moving, so with the sub-titles as an added constraint you have to concentrate.

Overall, it's worth watching as the characters are well-developed, the dialogue is amusing, the cases have intriguing aspects, and all does not end happily in every respect – there is a gritty undercurrent, say in the suffering of Tunisian immigrants in "The Snack Thief" or the continual hints at bribery and corruption amongst higher ranking officials, making the "honest" Montalbano a rarity.

⭐⭐⭐⭐ 4 Stars

Inspector Montalbano: Collection One (2 Disc) [DVD]

Don’t count on it

This is my review of Inside Men [DVD].

Manager of a counting house, through which huge quantities of cash are shipped, John cuts a sad figure as a man frightened of life. Uptight and tense, bullied by his boss and mocked by his staff, perhaps impotent, he maintains an unlikely position as best performing manager through obsessive hard work, assisted by being prepared to make up from his own pocket any small shortfall in the accounts. For the most part he is almost robotically lacking in emotion, but under pressure the underlying rage on occasion bursts out.

Then John's discovery of a petty theft by two of his employees triggers the idea for the heist with which the drama opens.

As much a psychological drama as a thriller, the intricate and intriguing plot switches back and forth in time over a period of months, in order to explore the motivations of the "inside men" and reveal both the complex details of the planned theft, and how it works out in practice. The three main characters and the women in their lives are all strongly developed with distinct personalities.

In a reverse of the norm, the earlier parts of the drama are in many ways more suspenseful and gripping than the denouement. I can understand why some viewers have reported feeling let down by the ending. My sense of disappointment was short-lived when I realised that, in leaving some morally ambiguous outcomes, the plot leaves us with a good deal of food for thought.

⭐⭐⭐⭐⭐ 5 Stars

Inside Men [DVD]

A Perverted Goldfish Bowl

This is my review of The Aquariums of Pyongyang: Ten Years in the North Korean Gulag by Kang Chol-Hwan,Pierre Rigoulot.

This is the gripping memoir, despite a somewhat clunky translation at times, of one the first North Koreans to claim asylum in the South, after escaping via China in 1992. He is untypical in belonging to a wealthy family: his grandfather made money after emigrating to Japan, but allowed himself to be persuaded to return to North Korea by his fanatically pro-Communist wife. They soon learned their error, with the grandfather being forced to hand over his millions to the Government, and ultimately losing his life in prison for the crime of criticising the inefficiency of the North Korean distribution system. His close family were also punished with a decade spent in Yodok, a harsh concentration camp designed to re-educate the relatives of traitors.

I was already familiar with the grim facts about life in North Korea through Barbara Demitz's "Nothing to Envy", which is based on the American journalist's interviews with a number of refugees who also made it to the South, again via China. I thought "The Aquariums of Pyongyang" might be more authentic in that it would be less "fictionalised" with the device of imagined dialogues and recreation of people's thoughts. Although this is the case, Kang Chol-Hwan focuses mainly on the exhausting and soul-destroying routine of life in the camp: the use of "team targets" and "snitches" to keep people in line, the sadistic teachers, the shocking public executions which adults were forced to watch and even participate in at times, by stoning the "criminals", the farcical "self-criticism" sessions, enforced adulation of the "Dear Leader" Kim Il-sung and over all else the obsession with obtaining food, even resorting to eating rats.

There is less exploration of how ordinary people in general survive in the warped dictatorship of North Korea. Kang Chol-Hwan mentions the famines of later years, but does not discuss exactly how they arose. Also, once released, he managed to have access to a relatively good material standard of living, partly through the use of family money and goods imported from Japan to provide the endless bribes needed, also through his own black market business activities.

Kang Chol-Hwan does not portray himself as a particular likeable person, but perhaps this is understandable in view of the brutalising experience of the camp. His final adult years in North Korea and ultimate escape are covered rather hastily, maybe to protect others; he acknowledges with some guilt that relatives and acquaintances must have been sent to the camps because of his defection. It is also interesting to learn of his initial shock over the sexual freedom of life in the west (although he claims to have lived off a Korean brothel-keeper resident in China, and benefited from her contacts to board a ship to South Korea) and over the wasteful consumption of his newfound home country. As an observer from an alien culture, he provides a useful yardstick by which to judge capitalist society and its values.

Overall, this is informative and thought-provoking, but gives a rather limited picture, perhaps because the author spent so much of his time in one camp.

⭐⭐⭐⭐ 4 Stars

The Aquariums of Pyongyang: Ten Years in the North Korean Gulag

Physician Know Thyself

This is my review of A Dangerous Method [DVD].

Cronenberg's "A Dangerous Method" is mainly about the relationship between two early giants of psychoanalysis, Freud and Jung, played by Viggo Mortensen and Michael Fassbinder . This is captured in some witty, often humorous and well-acted scenes which made me want to find out more about both the men and their theories. Freud hopes that Jung, almost two decades his junior, will carry on the torch of his controversial ideas on the sexual basis of mental disorder, but cannot tolerate Jung's tendency to follow his own independent line, including telepathy and psychic powers, which Freud finds simply potty, not to mention the irritation of having his authority challenged.

A further complication is Jung's treatment with his new "talking cure" of the hysterical young Russian Jewess Sabina Spielrein, who recovers to become a celebrated psychoanalyst in her own right, but not before providing a fatal attraction for Jung.

The photography is beautiful, with many scenes of Swiss lakes or striking statues against a background of Viennese palaces. The large amount of "walking and talking" reflects the fact this film is based on a stage play by the ubiquitous Christopher Hampton. I also liked the attention to the period detail of the early 1900s: Jung's wealthy wife works on her embroidery the day after giving birth to her first child, while a buxom wet nurse suckles the infant. Freud's identification with Spielrein, as a Jew, and growing awareness of Jung as an Aryan, foreshadows the horrors of the Holocaust.

The quality of the acting is mainly excellent, with Fassbinder in particular showing a clear progression from controlled, ambitious up-and-coming physician, to a wreck on the verge of a nervous breakdown himself, troubled by dreams of carnage which we know are remarkably prescient on the verge of World War 1. Keira Knightley's portrayal of madness in the opening scenes seems grotesquely exaggerated, and her recovery remarkably rapid – she is most frightening when "sane" but thwarted in love.

Although neither a great film nor as good as it might have been, overall this is a well-made contribution to a fascinating theme. At 1 hour 40 minutes, it avoids the error of going on too long.

⭐⭐⭐⭐ 4 Stars

A Dangerous Method [DVD]

Clandestin

This is my review of Clandestin (Romans, Nouvelles, Recits (Domaine Francais)) by Eliette Abecassis.

This novella, written in crystal-clear, at times poetic prose, describes in minute detail the meeting between a man and a woman on a station platform and the development of their mutual awareness and attraction on the subsequent train journey. Who are they, and have they met before? Gradually, our questions are answered, as the story moves towards a dramatic climax, dispelling my fear that, having aroused my curiosity, it would have one of those unsatisfying, inconclusive endings.

Despite the minute exploration of people's appearances and feelings, the characters remain shadowy in some respects – we never learn their names, and the two men with whom the woman is involved are both referred to as "he" but can be distinguished by their very obvious differences. The objective, remote quality of the story at times may arise from its serving as an allegory for the nature of existence in general – the essential transience and unimportance of much of life, and the suggestion that we are often just "wandering" through our existence, or filling it up with mundane activities to avoid facing up to the fact that we are all "waiting" for it to end. This sounds rather gloomy, but the tone is quite positive in a philosophical way.

At times, it reads like a woman's magazine story about a pair of lovers, but it is deeper than that and somehow the more "sentimental" passages come across better in French! It also provides some good practice for students – lots of useful examples of applied grammar – past conditional and subjunctive tenses etc.

⭐⭐⭐⭐ 4 Stars

Clandestin (Romans, Nouvelles, Recits (Domaine Francais))

Does not bear close scrutiny

This is my review of Green Philosophy: How to Think Seriously About the Planet by Roger Scruton.

Green philosophy is clearly a neglected topic, but, articulate and learned though he is, Roger Scruton adds little to the debate. His central thesis is that the current focus on transnational organisations and multinational e.g. EU legislation to solve the problems of the environment is doomed to fail , since it ignores the fact that ordinary people will not be engaged by this, and will evade regulations in which in which they have no stake. This premise seems open to debate.

He rejects the international movements like "Green Peace" which tend to make environmentalism seem like a left-wing cause, and which often take steps that make people feel uncomfortable. Instead, recalling how Odysseus sacrificed much to return to his beloved home or "oikos", Scruton calls for a move to encourage people to take care of their homes, in the broadest sense, and work to maintain them through local associations. He cites the example of his father, who despite being left-wing, was so appalled by the top-down socialist-inspired destruction of the communities of the Manchester "slums" to make way for concrete tower blocks, that he formed a local society to preserve the environment of his new "oikos" of High Wycombe. However, all this seems a very parochial view and a very partial consideration of a complex issue. Even in this narrow field, Scruton does not address issues like "nimbyism" or the problems of maintaining communities which are subject to great change through, say immigration.

Scruton's points could be contained in one essay, leaving space for others on a philosophical "green approach" to, for instance, the development of scarce resources to meeting growing demand worldwide without triggering excessive pollution. He seems to feel that some of these problems are too vast for us to grasp, so the solution is to "start small" on a local scale that we can handle. This appears to be a cosy, complacent approach to major problems which may have implications for concepts like "individuality" so fundamental to western thought.

The main value of this book is to inspire debate, but it only scratches the surface. A series of essays by a range of philosophers, economists and related disciplines might have made for a more useful contribution to this important theme.

⭐⭐⭐ 3 Stars

Green Philosophy: How to Think Seriously About the Planet

More of a Minor Car Crash

This is my review of Carnage [DVD].

Most reports of the stage play "God of Carnage" find it hilarious, I enjoyed the playwright Yasmina Reza's comedy, "Art" and admire Polanski's skills as a director. So, why did I approach the film "Carnage" with such reservations? Mainly because the critics have been very cool about it, plus I personally found the script of the play very disjointed, with laboured humour – a bit boring in places, to be honest.

In fact, the film proved better than I expected – but not that great.

This short film is true to the original play "God of Carnage" as regards both the dialogue and the "unities" of time, place and action, enacting the whole drama in a Brooklyn flat, transposed from the original setting in Paris.

One boy has struck another, permanently damaging his teeth. The parents of the victim, Penelope and Michael, invite Alan and Nancy, parents of the aggressor, round to their flat to discuss how to handle the affair. At first on their best behaviour, the foursome gradually lapse into childish squabbling and the boys are almost forgotten as the cracks in their respective marriages become apparent. This is quite a promising basis for a play, and there are some funny lines and amusing incidents, such as the lawyer Alan's preoccupation with his mobile phone, on which he conducts sensitive business conversations to the growing irritation of everyone else.

However, I was never moved, and always aware of watching the actors. It may not have helped that this is very much a filming of a stage play, yet one can rarely see all the characters interacting at the same time as one does on the stage, since the camera inevitably tends to focus on one or two faces at a time.

It also bothered me that Penelope, the highly strung writer of books on Africa who cares so deeply about moral issues, is so ill-matched with the superficially easy-going but essentially coarse Michael, who earns a living flogging saucepans and lavatory flushes.

Strongest reservation of all: the serious point of the play, that even in the most civilised people barbarism is only skin-deep, does not seem very well illustrated by this particular drama.

The point I liked the most – not in the original play – is the glimpse at the very end of the two boys apparently chatting together amicably in the park, unaware of their parents' bickering.

⭐⭐⭐ 3 Stars

Carnage [DVD]