Having enjoyed Ragnar Jonasson’s “Dark Iceland” series of psychological crime thrillers for their strong sense of place, plot twists and well-developed characters, I was somewhat disappointed by this stand alone novel.
Written in a rather wooden, clichéd style, which may be due to the translation, the frequent intrusion of creepy menace seems rather heavy-handed, alternating with slow-paced, generally rather dull scenes which admittedly reflect daily life in a tiny, inward-looking isolated coastal community.
This is where Una, “a Reykjavik girl through and through” decides to spend a year teaching the only two children in the fishing village, rather implausibly without first visiting the place to experience just how eerily quiet it is, checking out the ten inhabitants or being “vetted” in person herself. It also appears unlikely that she would previously have given up her training to be a doctor for supply teaching, although it is suggested from the outset that she has been traumatised by some previous event which remains tantalisingly unexplained until near the end.
The author employs the usual devices: the prologue to provide a “hook” of chilling suspense (which proves to be a chapter repeated later on); a sinister apparently unconnected sub-plot interwoven in short chapters written in italics with the main storyline. There is a difference from the author’s previous novels in the strong suggestion of the supernatural, although this could always be attributed to Una taking too much refuge in red wine or simply being mentally disturbed. After a final ingenious and poignant twist, the ending may seem weak and rushed, but leaving the situation, “what happens next”, open to interpretation may in fact prove more satisfying for many readers.
On reflection, there are the ingredients here for a novel as outstanding as it is falsely hyped to be, but it feels dashed off too quickly, perhaps to meet a deadline.